My practice deals with[in] the working-class [invisible]-labour ecosystem[s] and [invisible]-reproductive labours, giving into the visuals between low-fi and high-art aesthetic scenarios. I am interested in a counter to the instructional bias of how we handle the trades of the classed-colloquial, in the cont[r]acts of labour, waged/unwaged, acknowledged/disavowed, and where it fits in the cycles of consumption, exploitation, and [re]production.