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Sara Prinsloo

Discipline:

Sculpture, Mold Maker, Illustrator and Founder of the It's OKAY Project

Location:

Hertfordshire, UK

ABOUT:

Sara has been practising art for over 15 years with a wealth of experience in the field. Achieving a BA and MA in Fine Art and Illustration Sara uses these subjects to express her artistic skill set. Also exploring 3D Design, wood work, mould making and ceramics, Sara delivers these subjects as creative workshops through her teaching role in further education. Sara has recently started to combine her urban culture themes through the same mediums. Skateboard wheel casting and skate shoe sculpture projects have helped Sara explore the concept of merging her passion for skateboarding with her art and her continued exploration of the urban culture and sub cultures such as urban textures, fashion, skating, youth culture, female identity, working class artists and music etc. Sharing her passion and engaging the youth is very important to Sara, believing that it’s our responsibility to help future generations excel through creative education and exploration. “It’s time to change the way we learn! It should be fun, supportive, inspiring, personal and exciting. I’m ready to help make this happen”

Sara is also a keen campaigner/fundraiser for mental health charities and often discusses mental well being in her creative practise. Sara is the Founder of the It's OKAY Project where creativity is used to communicate our mental health stories, experiences and achievements.

"Tell you friends you love them, give them a hug. The world is shit enough and we need to make it better"

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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