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Tony Maas

Discipline:

Architect of the mind, noise technician

Location:

Bankside, London

ABOUT:

The City is a world drowning in shadows, though its buildings hum with flesh and light the glow of function dissipates and creates pockets of darkness at its edge - halos in retreat; where a landscape of twisting streets talk to themselves, 'Do not park', 'No stopping', 'Give way', 'Cross here'. It’s a surface scared by the actions of human traffic marching daily past in a fog of calculation and distraction: tyre burns, grease stains of sweat smudged across its walls, cigarette butts scarring its pavements. It is a world of 'unseeing', where that which we wish to ignore goes unnoticed, but where many who avert their gaze lose sight of the art outside of capital. A value in space and objects beyond the tyranny of wealth, claiming a right to exist outside the fetishism of the market. I explore these places through the lens of dysfunction and collapse.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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