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Babeworld

Discipline:

Artist Collective

Location:

Stoke on Trent and London

ABOUT:

Babeworld are an art collective based across Stoke-on-Trent and London. Babeworld’s work uses popular-culture inspired film, installation and sound design to interrogate themes of political and societal identity, disability, access, neurodivergence and race. By using a tongue-in-cheek approach to serious themes, Babeworld are able to playfully explore these themes whilst capturing the lived-experiences within the collective. Underpinning this work is an ongoing commitment to researching what it means to make, participate in and spectate art as marginalised individuals. Across their work, Babeworld aims to capture a life of contrast - one in which oscillating mental health, mania and delusion can make things feel hopeless and paralysing, or thrilling and obsessive.


Babeworlds aesthetics and world-building across their film and installations use autofiction narratives that do not create boundaries between online and offline worlds, devices, spaces or temporalities - capturing the role different online spaces have played in their understandings of themselves and their communities. Their work is underpinned by an ongoing body of research that explores what it means to make, participate in and spectate art as marginalised individuals. They are committed to capturing a version of themselves that feels like an authentic blend between all of the collective - whether that's about their lived experience, or a funny reddit post they saw that day. Alongside this, Babeworld are consistently motivated by the questions - how can we make work for the CEX and Tumblr generation who may not feel comfortable in a traditional gallery? And how can we get another little residency to play board games and TTRPGS?

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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