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Katie Bryce

Discipline:

Stylist, Creative consultant, strategist, social media manager.

Location:

London

ABOUT:

Katie is a multidisciplinary creative working as a stylist, strategist and creative consultant. Born in Belfast, Ireland she is now based in London.

She has worked with many influential clients such as Peggy Gou and now works as Saoirse-Monica Jackson and Lola Petticrew’s personal stylist. She is currently heading up Curation at Depop, and the former Head of Social at Polyester Zine, working on social strategy, content and partnerships.

Katie has experience with celebrity, commercial, editorial and runway styling as well as digital styling, personal shopping and e-commerce. Her clients include Vogue, Guinness, Ebay, Adidas, Under Armour, Puma, JD, HURR, Topshop, Threads Styling, Sainsbury's, TOVE, AVA Festival, Cosmopolitan, Women’s Health, Notion Magazine and more.

Katie is fascinated by popular culture and has worked with inspiring taste makers across many industries. Her strategic way of working from both a commercial and creative perspective gives her a 360 approach to any project she undertakes. Her previous roles at HURR and Threads Styling saw her work across marketing, editorial, sales and strategy to inspire, educate and drive sales and social growth within the millennial and Gen Z consumer markets.

Katie is an activist and a director of the CIC Menstruation Matters, which campaigns for period dignity and RSE (Relationships and Sex Education) reform in her birthplace Northern Ireland. She has worked closely with the government to create and pass legislation, that seen Northern Ireland become the second country in the world to provide free period items in public spaces as of May 2024. She is passionate about story telling, community and creating impactful work.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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