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Kiera McMillan

Discipline:

Fashion writer, researcher

Location:

London

ABOUT:

Kiera McMillan is a researcher, writer and editor based in London. She is currently completing an MA Central Saint Martins in Fashion Communication: Critical Studies.

Kiera’s writing has thus far focused on fashion’s impact on people and the planet. Her undergraduate thesis explores fashion as a means of constructing gender and sexual identity, both inside and outside the parameters of social acceptability, entitled Fashioning the Marginalised Body: Literary and Theatrical Representations of the Nudity/Clothing Dialectic. She is also featured in the Edinburgh Student Literary Journal S/S 21 issue with a piece entitled ‘Distorted Femininity: Challenging Gender Essentialism’. Kiera’s most recent writing forms part of a collaborative project, Maison/0, with LVMH & CSM to create a publication for designers to understand the importance of regenerative textiles and practices. Kiera has also hosted panel discussions with voices in sustainable fashion such as Orsola de Castro, co-founder of Fashion Revolution. Outside of her academic endeavours, Kiera is an assistant editor at Fashion Unfiltered, an online publication which provides a global perspective on current debates in fashion, her most recent article available here is titled ‘Look Forward in Anger’ and explores the issue of the fashion industry’s simultaneous appropriation and exclusion of working-class lives.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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