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Lizzie Allison

Discipline:

Multidisciplinary artist

Location:

Greenwich, London

ABOUT:

I am primarily a performance and installation artist but also work within sculpture, painting video and sound.
I look at the body’s relation to the world through senses and the basic functions of our bodies, the ability to feel weight on us, move, breathe, create with our bodies such as water from our breath.
Otherness and marginalisation underpins my creative practice using fantasy and transformation to explore neurodiversity and queer identity, currently through researching the queering of sea life and considering the ocean as a safe space for marginalised people.
The spaces I create for myself in the installations, other me as the performer, hide me away, put me in a box or a machine.
I focus on precision and plastics, latex, and water in my practice which create a scientific or medical aesthetic thread that runs through my work. My practice evolves through direct contact with the materials and the thoughts they evoke through touch.
This philosophical and aesthetic approach is highly informed by both magical realism’s ability to create worlds that just slightly differ from our own, as well as the ersatz reality of the PC music movement.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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