My work is concerned primarily with occupied spaces; school playing fields, junked underpasses and the like that often contain text with the tone of dialogue and the personal and collective narrative that unfolds in them. I explore layers of history, drawing out narrative, glimpses of speech. The dilapidated environments come to life in a skint version of enchantment: a tree stump or a broken fence, are filled with the meanings of the events that go on around and about them. At the core of my practice is the collaborative exploration and encouragement of hidden human details, shared histories, stories associated with belonging and the relationship to specific places and spaces; providing a voice to often unheard vistas of history.