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Thomas Griffiths

Discipline:

Artist, Co-director

Location:

Sheffield, Manchester

ABOUT:

I am an artist currently studying a MA Fine Art degree, at Manchester School of Art and co-director/curator of GLOAM, a grassroots artist-run studios and gallery in Sheffield. My practice delves into public spaces, rife with hegemonic masculinity. Through playful use of materiality and symbolism, the work aims to infiltrate and divert attention towards the overlooked, highlighting nuances of working-class culture, queer identity, and mental health. Sensual-yet-gauche representations combine with tongue-in-cheek humour to convey these narratives. My practice is largely sculptural, resulting in installation and/ or intervention.
I primarily use low cost and recycled materials, utilising woodworking, casting, painting, and digital software to realise works. Current works investigate industrial objects and barriers within the public domain. I am interested in the relationship between identity and space. Identifiable objects are often reimagined and recontextualised, giving a new interpretation (often coded) in relation to the queer lens.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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