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Zoe Ford

Discipline:

Multidisciplinary Artist

Location:

London

ABOUT:

My practice is inspired by a diverse range of sources, from fleeting thoughts to profound personal experiences, and societal commentary. I explore how the human condition, the complexities of the mind, and our environment intertwine to shape our shared and individual identities.

I am drawn to the contrasts in life—the connections that bind us together and the unique traits that set us apart. Through my work, I seek to provoke curiosity, offering viewers a chance to engage with both the subject matter and the creative process.

I embrace a wide range of styles and mediums in my work, driven by an unyielding curiosity and a desire to challenge myself creatively. For me, artistic expression thrives in the freedom to move between different forms—whether abstract, figurative, or surreal—and to experiment with a variety of materials.


Each new style or medium I engage with reflects a different facet of my creative vision and my evolving perspective. Whether it's the fluidity of painting, the tactile nature of sculpture, or the texture of fabric, each medium offers its own unique way to communicate complex emotions, thoughts, and experiences. This versatility allows me to explore the depths of human existence from multiple perspectives and embrace the challenges that come with creative reinvention.

In this ever-evolving process, I seek to capture the essence of the moment, the subject, or the idea, rather than being confined to one particular form. My art invites viewers to experience a dynamic conversation between materials, style, and meaning.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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