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Mo Robertson

Discipline:

Multidisciplinary Artist

Location:

West Yorkshire

ABOUT:

Throughout my professional development my practice has progressed into a multi-
disciplinary body of work primarily focusing on sculpture as installation. As an artist, I
produce works of a semi auto-biographical nature. My sculptures serve as an entry
point for dialogue and reflection and remain a vessel for personal growth.

I have completed a residency at Leeds Arts University where I produced a new body
of work reflecting on my surgery for Endometriosis. Traumas of The Flesh is my third
solo show and was shown Basement Arts Project.

As an early-career artist, I have experience in obtaining a studio space, curating
exhibitions around Leeds and participating in the planning of performance art events.

I am part of three collectives under the names of ‘We Didn’t Fancy’, ‘Vega Collective’
and ‘Ball and Chain’.

I also curated my debut solo show at Headrow House and have gone on to have
more solo exhibitions both at Assembly house (where I hold a studio space) and
Basement Arts Project.

WORKS:

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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