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Jo McLaughlin on Portfolios, Websites and Open Calls: CLASS CONVOS x THE SECOND ACT

May 11
1 min read



What this session covers (quick overview)


This talk with Jo McLaughlin focuses on practical tools for artists navigating the early stages of their career.


Key points:

  • Building and refining your portfolio

  • Creating a clear and effective artist website

  • Approaching open calls and applications

  • Presenting your work with confidence

  • Understanding how to make your work visible to institutions and opportunities


This is a practical session, focused on tools rather than theory.


Why we’re sharing this


In our 2023 WCCD members survey, a consistent theme came up: many artists feel unsure about how to put together portfolios, websites, and applications in a way that feels clear and confident.


This session responds directly to that.


It breaks down the practical side of applying for opportunities and presenting your work, without unnecessary complexity or gatekeeping language.


Key takeaways


Jo’s approach is straightforward and practical. Some of the main ideas from the conversation include:


  • Your portfolio does not need to be perfect, it needs to be clear

  • A simple website is better than an unfinished or overly complex one

  • Open calls are about clarity, not over explaining

  • Your work should be easy to understand at first glance

  • Professional presentation is about consistency, not polish


This session is about reducing pressure and making the process feel more manageable.


About CLASS CONVOS x THE SECOND ACT


CLASS CONVOS is a series of conversations exploring art, access and class, curated by Working Class Creatives Database in collaboration with The Second Act.

It brings together artists and cultural workers to share honest, practical experiences of working in the arts.


Watch the full talk




 
 
 

6 Comments


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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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