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NEWS

CLASS CONVOS X SECOND ACT - ONLINE ACCESS SESSION 4

Our 2023 members survey revealed that many of our members faced challenges breaking into the industry from not feeling welcome at networking events, private views and exhibitions to issues with confidence and imposter syndrome. This Access session is led by Ceri Hand and focuses on Confidence and Imposter Syndrome.


Monday 16th September 2024


6.30pm - 8.00pm




Ceri Hand, a seasoned arts professional with over three decades of experience, previously served as Director of Programmes at Somerset House. Now, as the host of the Extraordinary Creatives podcast, she leverages her vast experience to coach and inspire creatives, helping them overcome challenges and achieve their dreams. Her journey, shaped by personal trials and a deep passion for the arts, fuels her mission to empower others to make a lasting impact.


The Second Act is a gallery that operates between Blackburn and East London delivering a programme with an emphasis on the inclusion of artists for the North; and also those from working class backgrounds to support the growth of a diverse eco-system of British artists. The gallery chooses to work with artists who make contemporary art with challenging concepts, narratives and research. She is also one half of Uncultured Creatives, a collaborative artist-curator duo established in partnership with Jamie Holman. The work they produce is characterised by the exploration of divided histories, sensitive content and the unification of diverse community participants through shared experiences of culture and class.


The Working-Class Creatives Database (WCCD) CIC is a volunteer-led platform that highlights the work of working-class creatives in the UK. It was founded in 2020 to provide a platform for working-class creatives, to establish a strong community between working-class artists around the region and tackle classism within the arts by improving accessibility, engagement and opportunities.

 
 
 

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'Working Class Creatives' responds to a need which is too often overlooked in the arts; that of the barriers facing working-class artists from getting on in our sector. They are instrumental in initiating much-needed change that will see the art world become more inclusive and reflect the society it purports to serve. I often search their database in my research, it is a vital resource for any arts professional working in culture today. That they have got this far on so little financial resource is remarkable and I am excited to see what they will achieve with further support.” Beth Hughes, Curator, Arts Council Collection.

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